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By Tom Winterbottom

This e-book experiences structure and literature of Rio de Janeiro, the “Marvellous City,” from the revolution of 1889 to the Olympics of 2016, taking the reader on a trip in the course of the background of the town. This examine deals a wide-ranging and thought-provoking perception that strikes from ruins to Modernism, from the prior to the long run, from futebol to fiction, and from seashore to favela, to discover the superb feature—decadence—at the center of this distinctive and likely undying city global. An leading edge and in-depth learn of structures, books, and characters within the city’s glossy heritage, this primary new paintings units the reader within the excellent international of Rio de Janeiro.

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Extra resources for A Cultural History of Rio de Janeiro after 1889 : Glorious Decadence

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The second period, 1930–1964, begins with the authoritarian, nationalist rule of Getúlio Vargas, and ends when the military took power in 1964 and includes the transfer of the Brazilian capital city from Rio to Brasília in 1960. Vargas, who took power and sought to rupture with the oligarch politics of the First Republic, undertook massive urban infrastructure projects, culminating in Brazil being written about as the “country of the future” (by Austrian author Stefan Zweig, writing from near Rio in 1942) and as an international point of reference for its avant-garde state-sponsored Modernist aesthetics in architecture.

If saudade has more of a bearing on time, then “landscape” relates to locus—the place or space in which that time unfolds, but where “space” and “place” are terms that lack precision. With that in mind, how can we understand landscape? PART I: SPACE AND TIME OF RIO DE JANEIRO 25 The social anthropologist Tim Ingold proposes a conceptualization of landscape that can be applied to Rio in which people and place are in constant interaction to constantly and dynamically create and recreate the urban environment.

The pursuit of a future of abundant possibility was not limited to Comte’s positivist ideology of progress. When Filippo Tommaso Marinetti wrote the Futurist Manifesto in Italy in 1909, it was immediately translated and adopted as an important point of reference in Brazil, particularly in Rio. In it, he eschewed any indulgence in, or incorporation of, the past in favour of the fast-paced pursuit of the future. 42 The reception and impact of the “futurist moment,” particularly in Rio de Janeiro, more so than in São Paulo, at least in the early twentieth century, was vital in cementing a dominant forward-looking ideology.

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